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ZBrush Anatomy complete guide to creating realistic Anatomy in ZBrush
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GETTING SET UP AND ZBRUSH BASICS - LECTURE 1 - Intro to the Pure Basics Course
GETTING SET UP AND ZBRUSH BASICS - LECTURE 2 - Custom Config setup
GETTING SET UP AND ZBRUSH BASICS - LECTURE 3 - Whats ahead and my approach
BASIC FEATURES - LECTURE 1 - Creating an Ear basics
BASIC FEATURES - LECTURE 2 - Creating an Nose basics
BASIC FEATURES - LECTURE 3 - Creating an Lips basics
BASIC FEATURES - LECTURE 4 - Creating an Eye basics Notes and Analysis
BASIC FEATURES - LECTURE 5 - Creating an Eye basics
BASIC FEATURES - LECTURE 6 - Section assignments
MEASUREMENTS AND PLANES OF THE FACE - LECTURE 1 - Measurements Basics
MEASUREMENTS AND PLANES OF THE FACE - LECTURE 2 - Basic head shape Base
MEASUREMENTS AND PLANES OF THE FACE - LECTURE 3 - Head Key Markers/Points
MEASUREMENTS AND PLANES OF THE FACE - LECTURE 4 - Pulling the shapes
MEASUREMENTS AND PLANES OF THE FACE - LECTURE 5 - Finding and applying our Planes
MEASUREMENTS AND PLANES OF THE FACE - LECTURE 6 - Out Put for Facebook and excersices
SPEEDY WORKFLOW FOR BASE MESHES - LECTURE 1 - Creating our first base
SPEEDY WORKFLOW FOR BASE MESHES - LECTURE 2 - Looking at the skull shape the basics
SPEEDY WORKFLOW FOR BASE MESHES - LECTURE 3 - Base mesh creation and repetition
SPEEDY WORKFLOW FOR BASE MESHES - LECTURE 4 - Using a cheat method for a base
SPEEDY WORKFLOW FOR BASE MESHES - LECTURE 5 - Splitting a tool for inserts
SPEEDY WORKFLOW FOR BASE MESHES - LECTURE 6 - Creating our insert brush with multiple parts
THE HEAD - ANATOMY - LECTURE 1 - Tools and a look at the key parts of the Skull and Muscles
THE HEAD - ANATOMY - LECTURE 2 - Using Pure Ref
THE HEAD - ANATOMY - LECTURE 3 - The interactive turntable
THE HEAD - ANATOMY - LECTURE 4 - A look at Ryans Anatomy Model and the Diffferences between males and females skulls
THE HEAD - ANATOMY - LECTURE 5 - A look focal legnth and perspective and its importance
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 1 - A look at the tools and processes for this section
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 2 - Set up reference and base mesh
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 3 - Setting primary forms
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 4 - Matching up and increasing resolution
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 5 - Refining Primary Form Part 1
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 6 - Refining Primary Form Part 2
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 7 - Refining Primary Form and tips about dynamesh resolution Part 3
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 8 - Refining Primary Form Part 4
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 9 - Finishing the Primary Form Part 5
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 10 - Modifying the mesh for a female Head Part 1
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 11 - Modifying the mesh for a female Head Part 2
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 12 - Basic Male Hairstyle and female base duplicated from the male
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 13 - Basic Female Hairstyle
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 14 - The eyebrows and final outro
SCULPTING TECHNIQUES AND TIPS - LECTURE 1 - Introduction and the importance of being relaxed
SCULPTING TECHNIQUES AND TIPS - LECTURE 2 - Why we use Dynamesh and why we work from low to high resolution
SCULPTING TECHNIQUES AND TIPS - LECTURE 3 - Problems with Dynamesh and overlaps or cut ins
SCULPTING TECHNIQUES AND TIPS - LECTURE 4 - Building Resolution through the stages low, medium and high
SCULPTING TECHNIQUES AND TIPS - LECTURE 5 - Brushes for different jobs and when to use what
SCULPTING TECHNIQUES AND TIPS - LECTURE 6 - Practice excersices for beginners
SCULPTING TECHNIQUES AND TIPS - LECTURE 7 - Using zremesher to clean up a dynameshed model and still keep details
SCULPTING TECHNIQUES AND TIPS - LECTURE 8 - Important pointers for sculpting and evaluation
SCULPTING TECHNIQUES AND TIPS - LECTURE 9 - Working with reference with one monitor
SCULPTING TECHNIQUES AND TIPS - LECTURE 10 - Cheats and Hacks for Likeness Sculpting
SCULPTING TECHNIQUES AND TIPS - LECTURE 11 - Common Problems with Anatomy
THE HEAD -REFINEMENTS AND ANALYSIS - LEC 1 - Introduction
THE HEAD -REFINEMENTS AND ANALYSIS - LEC2 - Quick new version younger girl
THE HEAD -REFINEMENTS AND ANALYSIS - LEC3 - A look at the skull and muscle structure
THE HEAD - FEMALE HEAD - LEC1 - BASE
THE HEAD - FEMALE HEAD - LEC2 - BASE
THE HEAD - FEMALE HEAD - LEC3 - BASE
THE HEAD - FEMALE HEAD - LEC4 - Primary Forms
THE HEAD - FEMALE HEAD - LEC5 - refining forms
THE HEAD - FEMALE HEAD - LEC6 - finishing the head for this stage
THE BODY - ANATOMY GUIDE AND REFERENCE - LEC1 - Introduction to this section
THE BODY - ANATOMY GUIDE AND REFERENCE - LEC2 - Setting up the 8 Cannon Guides
THE BODY - ANATOMY GUIDE AND REFERENCE - LEC3 - How the 8 cannoin sheet helps us
THE BODY - ANATOMY GUIDE AND REFERENCE - LEC4 - Main Bones in the Body
THE BODY - ANATOMY GUIDE AND REFERENCE - LEC5 - Major Landmarks
THE BODY - ANATOMY GUIDE AND REFERENCE - LEC6 - Main Muscles of the body
THE BODY - ANATOMY GUIDE AND REFERENCE - LEC7 - Final thoughts
THE BODY - GESTURE AND FORM A LOOK AT SHAPES AND DIFFERENCE - Lec1 - The Gesture Curve
THE BODY - GESTURE AND FORM A LOOK AT SHAPES AND DIFFERENCE - Lec2 - Building a library
THE BODY - GESTURE AND FORM A LOOK AT SHAPES AND DIFFERENCE - Lec3 - Getting to know the sillowette
THE BODY - GESTURE AND FORM A LOOK AT SHAPES AND DIFFERENCE - Lec4 - Observe practive observe repeat and assignments
THE BODY - GESTURE AND FORM A LOOK AT SHAPES AND DIFFERENCE - Lec5 - Whats coming up
THE BODY - BASE MESH CREATION AND ANALYSIS - LEC 1 - Introduction to the section
THE BODY - BASE MESH CREATION AND ANALYSIS - LEC 2 - Dynamesh Base mesh method 1
THE BODY - BASE MESH CREATION AND ANALYSIS - LEC 3 - ZSpheres part 1
THE BODY - BASE MESH CREATION AND ANALYSIS - LEC 4 - ZSpheres Simple Dynamesh Basemesh
THE BODY - BASE MESH CREATION AND ANALYSIS - LEC 5 - Complex ZSphere base mesh
THE BODY - BASE MESH CREATION AND ANALYSIS - LEC 6 - Complex ZSphere base mesh part 2
THE BODY - BASE MESH CREATION AND ANALYSIS - LEC 7 - Other methods for base mesh creation
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC1 - Introduction
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC2 - Modular Head Neck and Ribs - Primary Shapes
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC3 - Modular Trunk Hips and Thighs - Primary Shapes
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC4 - Modular Deltoids Upper arm and Lower arm - Primary Shapes
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC5 - Modular Calves Hands and Feet - Primary Shapes
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC6 - Modular Elbows Knees and Adjustments - Primary Shapes
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC7 - Checking Proportions against our Cannon Grid - Primary Shapes
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC8 - Using see through and slight adjustments
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC9 - Creating Modular Hands
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC10 - Secondary Forms - Clavicle Mastoid and Traps
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC11 - Secondary Forms - Marking the Primary form 1
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC12 - Secondary Forms - Marking the Primary form 2
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC13 - Secondary Forms - Marking the Primary form 3
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC14 - Finishing our modular base mesh
ANATOMY CUSTOM BRUSHES AND GOOD TIPS - LEC 1 - Introduction
ANATOMY CUSTOM BRUSHES AND GOOD TIPS - LEC 2 - Creating a clay build up valley brush
ANATOMY CUSTOM BRUSHES AND GOOD TIPS - LEC 3 - Smooth brush set ups
ANATOMY CUSTOM BRUSHES AND GOOD TIPS - LEC 4 - Pop up palette
ANATOMY CUSTOM BRUSHES AND GOOD TIPS - LEC5 - Gravity Brush
ANATOMY CUSTOM BRUSHES AND GOOD TIPS - LEC 6 - Slope Brush
THE BODY - THE TORSO - PART BREAKDOWN - LEC1 - Introduction and Downloads
THE BODY - THE TORSO - PART BREAKDOWN - LEC2 - Setup ready for the sculpt
THE BODY - THE TORSO - PART BREAKDOWN - LEC3 - Torso part 1
THE BODY - THE TORSO - PART BREAKDOWN - LEC4 - Torso part 2
THE BODY - THE TORSO - PART BREAKDOWN - LEC5 - Torso part 3
THE BODY - THE TORSO - PART BREAKDOWN - LEC6 - Torso part 4
THE BODY - THE TORSO - PART BREAKDOWN - LEC7 - Torso Synopsis
THE BODY - THE ARMS - PART BREAKDOWN - LEC 1 - Set Up
THE BODY - THE ARMS - PART BREAKDOWN - LEC 2 - Basic shape and muscle positions
THE BODY - THE ARMS - PART BREAKDOWN - LEC 3 - Refinements
THE BODY - THE ARMS - PART BREAKDOWN - LEC 4 - Refinement of the arms
THE BODY - THE ARMS - PART BREAKDOWN - LEC 5 - FInal refinements
THE BODY - THE LEGS - PART BREAKDOWN - LEC 1 - Base setup
THE BODY - THE LEGS - PART BREAKDOWN - LEC 2 - Non distructive smoothing
THE BODY - THE LEGS - PART BREAKDOWN - LEC 3 - Sculpting our legs
THE BODY - THE LEGS - PART BREAKDOWN - LEC 4 - Recap sculpt
THE BODY - THE LEGS - PART BREAKDOWN - LEC5 - FInishing the legs
THE BODY - THE HANDS - PART BREAKDOWN - LEC 1 - The Base
THE BODY - THE HANDS - PART BREAKDOWN - LEC 2 - Adding Fingers
THE BODY - THE HANDS - PART BREAKDOWN - LEC 3 - Building in the detail
THE BODY - THE HANDS - PART BREAKDOWN - LEC 4 - Anatomy of the hand
THE BODY - THE HANDS - PART BREAKDOWN - LEC 5 - Adding fingernails and refining
THE BODY - THE HANDS - PART BREAKDOWN - LEC 6 - FInishing and adding back to the breakdown model
THE BODY - THE HANDS - PART BREAKDOWN - LEC 7 - Posing the hands
THE - BODY - THE FEET - LEC 1 - Introduction and preparation
THE - BODY - THE FEET - LEC 2 - Feet Base build up
THE - BODY - THE FEET - LEC 3 - Toes and Tendons
THE - BODY - THE FEET - LEC 4 - Finishing the feet and exercises
THE BODY - SCULPTING FROM THE MODULAR BASE MESH - LEC 1 - Introduction
THE BODY - SCULPTING FROM THE MODULAR BASE MESH - LEC 2 - Lower half sculpting
THE BODY - SCULPTING FROM THE MODULAR BASE MESH - LEC 3 - Merging and polygroup masking
THE BODY - SCULPTING FROM THE MODULAR BASE MESH - LEC 4 - Abdominals and Breasts
THE BODY - SCULPTING FROM THE MODULAR BASE MESH - LEC 5 - Arms and Proportions
THE BODY - SCULPTING FROM THE MODULAR BASE MESH - LEC 6 - The Back
THE BODY - SCULPTING FROM THE MODULAR BASE MESH - LEC 7 - The Back finishing off
MALE BODY SCULPT FROM BASE MESH - LEC 1 - Introduction
MALE BODY SCULPT FROM BASE MESH - LEC 2 - Setting the base forms for Rib, Buttocks and Legs
MALE BODY SCULPT FROM BASE MESH - LEC 3 - Setting the base forms for Obliques, latta and spine
MALE BODY SCULPT FROM BASE MESH - LEC 4 - Recap at speed
MALE BODY SCULPT FROM BASE MESH - LEC 5 - Setting the base forms for Collar bone, Pecs, Deltoid, Traps and Scapula
MALE BODY SCULPT FROM BASE MESH - LEC 6 - Setting the base forms for Biceps and Triceps
MALE BODY SCULPT FROM BASE MESH - LEC 7 - Setting the base forms Lower Arm
MALE BODY SCULPT FROM BASE MESH - LEC 8 - Setting the base forms Abdomials
MALE BODY SCULPT FROM BASE MESH - LEC 9 - Feet and Ab muscles
MALE BODY SCULPT FROM BASE MESH - LEC 10 - Adjustments
MALE BODY SCULPT FROM BASE MESH - LEC 11 - Accesing so far
MALE BODY SCULPT FROM BASE MESH - LEC 12 - Torso Front Sculpting muscles
MALE BODY SCULPT FROM BASE MESH - LEC 13 - Torso Front Sculpting muscles par t2
MALE BODY SCULPT FROM BASE MESH - LEC 14 - Torso Back
MALE BODY SCULPT FROM BASE MESH - LEC 14 - Torso Back
MALE BODY SCULPT FROM BASE MESH - LEC 15 - FInishing off and appending feet and hands
CUSTOM BRUSHES ADVANCED - LEC 1 - Bellybutton VDM
CUSTOM BRUSHES ADVANCED - LEC 2 - Slicebrush
CUSTOM BRUSHES ADVANCED - LEC 3 - Dam-Slope brush
FEMALE SCULPT - LEC 1 - Base Mesh
FEMALE SCULPT - LEC 2 - Base Mesh Markers and Male Base Mesh
FEMALE SCULPT - LEC 3 - Torso refinement 1
FEMALE SCULPT - LEC 4 - Torso refinement 2
FEMALE SCULPT - LEC 5 - Arms and Legs
FEMALE SCULPT - LEC 6 - Face 1
FEMALE SCULPT - LEC 7 - Face 2
FEMALE SCULPT - LEC 8 - Face and adding hands
FEMALE SCULPT - LEC 9 - Face and adjustments
FEMALE SCULPT - LEC 10 - Finishing stage 1 female
FEMALE SCULPT - LEC 11 - What we will be doing with the Female going Forwards
MALE SCULPT - LEC 12 - Setup and Introduction
MALE SCULPT - LEC 13 - Basic Forms 1
MALE SCULPT - LEC 14 - Rough Refinements 1
MALE SCULPT - LEC 15 - Rough Refinements 2
MALE SCULPT - LEC 16 - Feet and Hands
MALE SCULPT - LEC 17 - Adding the head and finishing off
REMESHING SUBDIV - FEMALE AND MALE - LEC 1 - Setup
REMESHING SUBDIV - FEMALE AND MALE - LEC 2 - ZRemeshing and Subdividing
REMESHING SUBDIV - FEMALE AND MALE - LEC 3 - Setting a Morph Target and Projections Female
REMESHING SUBDIV - FEMALE AND MALE - LEC 4 - Setting a Morph Target and Projections Male
REMESHING SUBDIV - FEMALE AND MALE - LEC 5 - Setting poly groups and looking at how it helps
REMESHING SUBDIV - FEMALE AND MALE - LEC 6 - ZRemesh with control male
REMESHING SUBDIV - FEMALE AND MALE - LEC 7 - ZRemesh with control female
REMESHING SUBDIV - FEMALE AND MALE - LEC 8 - Recap on the ZRemesh method
REMESHING SUBDIV - FEMALE AND MALE - LEC 9 - FInishing arms and legs and a quick synopsis
LIKENESS SCULPT - WITCHER - LEC 1 - Introduction to the Section
LIKENESS SCULPT - WITCHER - LEC 2 - The Sculpt timelapse 1
LIKENESS SCULPT - WITCHER - LEC 3 - The Sculpt timelapse 2
LIKENESS SCULPT - WITCHER - LEC 4 - Setting up for ZRemeshing
LIKENESS SCULPT - WITCHER - LEC 5 - ZRemeshing
LIKENESS SCULPT - WITCHER - LEC 6 - Setting up polygroups for subdiv model
LIKENESS SCULPT - WITCHER - LEC 7 - Adjusting timelapse
LIKENESS SCULPT - WITCHER - LEC 8 - Trying to get the likeness FAIL
CREATING ALPHAS FOR SKIN - LEC 1 - Gathering reference
CREATING ALPHAS FOR SKIN - LEC 2 - What we are going to do
CREATING ALPHAS FOR SKIN - LEC 3 - Skin Wrinkle 1 brush
CREATING ALPHAS FOR SKIN - LEC 4 - Skin Breakup 1
CREATING ALPHAS FOR SKIN - LEC 5 - Skin Wrinkle 2
CREATING ALPHAS FOR SKIN - LEC 6 - Skin Pores 1
CREATING ALPHAS FOR SKIN - LEC 7- Skin Pores 2
CREATING ALPHAS FOR SKIN - LEC 8 - Skin Wrinkle 3 Brush from Image
CREATING ALPHAS FOR SKIN - LEC 9 - Processing alphas efficiently
CREATING ALPHAS FOR SKIN - LEC 10 - Creating a multi Alpha Brush from the Alpha images
CREATING ALPHAS FOR SKIN - LEC 11 - Goose Bumps Creating a multi Alpha Brush start to finish
CREATING ALPHAS FOR SKIN - LEC 12 - Hand Alphas
CREATING ALPHAS FOR SKIN - LEC 13 - Fine Line Alphas
CREATING ALPHAS FOR SKIN - LEC 14 - Organising your files
CREATING ALPHAS FOR SKIN - LEC 15 - A look at other alpha and brush sites
CREATING ALPHAS FOR SKIN - LEC 16 - Another Skin and Pore brush
UNDERSTANDING DETAILING AND MAP GENERATION - LEC 1 - Introduction
UNDERSTANDING DETAILING AND MAP GENERATION - LEC 2 - Maps and Uvs
UNDERSTANDING DETAILING AND MAP GENERATION - LEC 3 - HD Geometry what is it
UNDERSTANDING DETAILING AND MAP GENERATION - LEC 4 - A look at the exported maps
APPLYING WRINKLES AND FACE DETAILS - LEC 1 - Introduction the importance of reference
APPLYING WRINKLES AND FACE DETAILS - LEC 2 - Understanding UV mapping and why we do it
APPLYING WRINKLES AND FACE DETAILS - LEC 3 - Layer Control and using a Morph Target Dermal Abrasion
APPLYING WRINKLES AND FACE DETAILS - LEC 4 - Pores goose bumps and lips
APPLYING WRINKLES AND FACE DETAILS - LEC 5 - Set up for your wrinkle brushes
APPLYING WRINKLES AND FACE DETAILS - LEC 6 - Face wrinkles part 1
APPLYING WRINKLES AND FACE DETAILS - LEC 7 - Face wrinkles part 2
APPLYING WRINKLES AND FACE DETAILS - LEC 8 - Baking and Synopsis
SCULPTING HAIR WITH ZBRUSH - LEC 1 - Introduction and analysis
SCULPTING HAIR WITH ZBRUSH - LEC 2 - Different base meshes for hair
SCULPTING HAIR WITH ZBRUSH - LEC 3 - Low resolution styling
SCULPTING HAIR WITH ZBRUSH - LEC 4 - Mid resolution pass
SCULPTING HAIR WITH ZBRUSH - LEC 5 - Mid resolution pass - time lapse
SCULPTING HAIR WITH ZBRUSH - LEC 6 - Finishing the second stage hair and do the eyebrows
SCULPTING HAIR WITH ZBRUSH - LEC 7 - Adding a beard
SCULPTING HAIR WITH ZBRUSH - LEC 8 - Thought and alphas for Beard and Stubble
SCULPTING HAIR WITH ZBRUSH - LEC 9 - Finishing the main hair
SCULPTING HAIR WITH ZBRUSH - LEC 10 - Remeshing and recap
SCULPTING HAIR WITH ZBRUSH - LEC 11 - Flyaways and pro and cons of dynamesh
SCULPTING HAIR WITH ZBRUSH - LEC 12 - Hpolishing for a superman style
SCULPTING HAIR WITH ZBRUSH - LEC 13 - Creating a hair strip
SCULPTING HAIR WITH ZBRUSH - LEC 14 - Manga brush style
SCULPTING HAIR WITH ZBRUSH - LEC 15 - Female reference and tricks getting ready
SCULPTING HAIR WITH ZBRUSH - LEC 16 - Establishing the base
SCULPTING HAIR WITH ZBRUSH - LEC 17 - Remeshing
SCULPTING HAIR WITH ZBRUSH - LEC 18 - Detailing
SCULPTING HAIR WITH ZBRUSH - LEC 19 - Finishing and remesh
SCULPTING HAIR WITH ZBRUSH - LEC 20 - Using the manga brush and techniques
SCULPTING HAIR WITH ZBRUSH - LEC 21 - Eyebrows with manga brush
SCULPTING HAIR WITH ZBRUSH - LEC 22 - Creating eye lashes
SCULPTING HAIR WITH ZBRUSH - LEC 23 - Finishing off
FIBRE MESH HAIR IN ZBRUSH - LEC 1 - Introduction to Fibre Mesh
FIBRE MESH HAIR IN ZBRUSH - LEC 2 - Setting up the basic set up for fibres by hand
FIBRE MESH HAIR IN ZBRUSH - LEC 3 - Modifying setting part 1
FIBRE MESH HAIR IN ZBRUSH - LEC 4 - Modifying setting part 2
FIBRE MESH HAIR IN ZBRUSH - LEC 5 - Grooming Brushes
FIBRE MESH HAIR IN ZBRUSH - LEC 6 - The benefit of Poly Groups
FIBRE MESH HAIR IN ZBRUSH - LEC 7 - Eyebrows
FIBRE MESH HAIR IN ZBRUSH - LEC 8 - Doing the beard
FIBRE MESH HAIR IN ZBRUSH - LEC 9 - Eye Lashes
FIBRE MESH HAIR IN ZBRUSH - LEC 10 - Creating a pop up menu for fibremesh hair
FIBRE MESH HAIR IN ZBRUSH - LEC 11 - Understanding fibres and render time
FIBRE MESH HAIR IN ZBRUSH - LEC 12 - The Hair part 1
FIBRE MESH HAIR IN ZBRUSH - LEC 13 - The Hair part 2
FIBRE MESH HAIR IN ZBRUSH - LEC 14 - Warnings about Fibre Mesh
FIBRE MESH HAIR IN ZBRUSH - LEC 15 - Finishing the male hairstyle and final remarks
FIBRE MESH HAIR IN ZBRUSH - LEC 16 - Female set up hair
FIBRE MESH HAIR IN ZBRUSH - LEC 17 - Female Hair Finishing
FIBRE MESH HAIR IN ZBRUSH - LEC 18 - Eyelashes and eye brows
LECTURE 1 - COMPLETE FIGURE MALE - Introduction
LECTURE 2 - COMPLETE FIGURE MALE - Getting Started
LECTURE 3 - COMPLETE FIGURE MALE - Base part 1
LECTURE 4 - COMPLETE FIGURE MALE - Base part 2
LECTURE 5 - COMPLETE FIGURE MALE - Base part 3
LECTURE 6 - COMPLETE FIGURE MALE - Adding form
LECTURE 7 - COMPLETE FIGURE MALE - Remeshing our base
LECTURE 8 - COMPLETE FIGURE MALE - Face part 1
LECTURE 9 - COMPLETE FIGURE MALE - Face part 2
LECTURE 10 - COMPLETE FIGURE MALE - Combining and refinement part 1
IN PRODUCTION!!
TBA
WORKSHOP - Introduction - The Vampire Girl
WORKSHOP - lecture 1 - The Vampire Girl
WORKSHOP - lecture 2 - The Vampire Girl
WORKSHOP - lecture 3 - The Vampire Girl
WORKSHOP - lecture 4 - The Vampire Girl
WORKSHOP - lecture 5 - The Vampire Girl
WORKSHOP - lecture 6 - The Vampire Girl
WORKSHOP - lecture 7 - The Vampire Girl
WORKSHOP - lecture 8 - The Vampire Girl
WORKSHOP - lecture 9 - The Vampire Girl
WORKSHOP - lecture 10 - The Vampire Girl
THE HEAD - THE BASICS - Drake Student Facial and Problems with proportions
THE EAR - THE BASICS - Student Gabor critique of the Ear
GETTING SET UP AND ZBRUSH BASICS
GETTING SET UP AND ZBRUSH BASICS - LECTURE 1 - Intro to the Pure Basics Course
Preview
GETTING SET UP AND ZBRUSH BASICS - LECTURE 2 - Custom Config setup
Preview
GETTING SET UP AND ZBRUSH BASICS - LECTURE 3 - Whats ahead and my approach
Preview
THE HEAD - THE BASICS - MAIN FACE PARTS
BASIC FEATURES - LECTURE 1 - Creating an Ear basics
BASIC FEATURES - LECTURE 2 - Creating an Nose basics
BASIC FEATURES - LECTURE 3 - Creating an Lips basics
BASIC FEATURES - LECTURE 4 - Creating an Eye basics Notes and Analysis
BASIC FEATURES - LECTURE 5 - Creating an Eye basics
BASIC FEATURES - LECTURE 6 - Section assignments
THE HEAD - MEASUREMENTS AND PLANES
MEASUREMENTS AND PLANES OF THE FACE - LECTURE 1 - Measurements Basics
MEASUREMENTS AND PLANES OF THE FACE - LECTURE 2 - Basic head shape Base
MEASUREMENTS AND PLANES OF THE FACE - LECTURE 3 - Head Key Markers/Points
MEASUREMENTS AND PLANES OF THE FACE - LECTURE 4 - Pulling the shapes
MEASUREMENTS AND PLANES OF THE FACE - LECTURE 5 - Finding and applying our Planes
MEASUREMENTS AND PLANES OF THE FACE - LECTURE 6 - Out Put for Facebook and excersices
THE HEAD - SPEEDY WORK FLOWS FOR BASE HEAD CREATION
SPEEDY WORKFLOW FOR BASE MESHES - LECTURE 1 - Creating our first base
SPEEDY WORKFLOW FOR BASE MESHES - LECTURE 2 - Looking at the skull shape the basics
SPEEDY WORKFLOW FOR BASE MESHES - LECTURE 3 - Base mesh creation and repetition
SPEEDY WORKFLOW FOR BASE MESHES - LECTURE 4 - Using a cheat method for a base
SPEEDY WORKFLOW FOR BASE MESHES - LECTURE 5 - Splitting a tool for inserts
SPEEDY WORKFLOW FOR BASE MESHES - LECTURE 6 - Creating our insert brush with multiple parts
THE HEAD - ANATOMY SIMPLIFIED AND TOOLS
THE HEAD - ANATOMY - LECTURE 1 - Tools and a look at the key parts of the Skull and Muscles
THE HEAD - ANATOMY - LECTURE 2 - Using Pure Ref
THE HEAD - ANATOMY - LECTURE 3 - The interactive turntable
THE HEAD - ANATOMY - LECTURE 4 - A look at Ryans Anatomy Model and the Diffferences between males and females skulls
THE HEAD - ANATOMY - LECTURE 5 - A look focal legnth and perspective and its importance
THE HEAD - OUR FIRST SCULPT!
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 1 - A look at the tools and processes for this section
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 2 - Set up reference and base mesh
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 3 - Setting primary forms
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 4 - Matching up and increasing resolution
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 5 - Refining Primary Form Part 1
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 6 - Refining Primary Form Part 2
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 7 - Refining Primary Form and tips about dynamesh resolution Part 3
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 8 - Refining Primary Form Part 4
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 9 - Finishing the Primary Form Part 5
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 10 - Modifying the mesh for a female Head Part 1
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 11 - Modifying the mesh for a female Head Part 2
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 12 - Basic Male Hairstyle and female base duplicated from the male
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 13 - Basic Female Hairstyle
THE HEAD - OUR FIRST HEAD SCULPT - LECTURE 14 - The eyebrows and final outro
THE HEAD - SCULPTING TECHNIQUES AND TIPS!
SCULPTING TECHNIQUES AND TIPS - LECTURE 1 - Introduction and the importance of being relaxed
SCULPTING TECHNIQUES AND TIPS - LECTURE 2 - Why we use Dynamesh and why we work from low to high resolution
SCULPTING TECHNIQUES AND TIPS - LECTURE 3 - Problems with Dynamesh and overlaps or cut ins
SCULPTING TECHNIQUES AND TIPS - LECTURE 4 - Building Resolution through the stages low, medium and high
SCULPTING TECHNIQUES AND TIPS - LECTURE 5 - Brushes for different jobs and when to use what
SCULPTING TECHNIQUES AND TIPS - LECTURE 6 - Practice excersices for beginners
SCULPTING TECHNIQUES AND TIPS - LECTURE 7 - Using zremesher to clean up a dynameshed model and still keep details
SCULPTING TECHNIQUES AND TIPS - LECTURE 8 - Important pointers for sculpting and evaluation
SCULPTING TECHNIQUES AND TIPS - LECTURE 9 - Working with reference with one monitor
SCULPTING TECHNIQUES AND TIPS - LECTURE 10 - Cheats and Hacks for Likeness Sculpting
SCULPTING TECHNIQUES AND TIPS - LECTURE 11 - Common Problems with Anatomy
THE HEAD - REFINEMENTS AND ANALYSIS
THE HEAD -REFINEMENTS AND ANALYSIS - LEC 1 - Introduction
THE HEAD -REFINEMENTS AND ANALYSIS - LEC2 - Quick new version younger girl
THE HEAD -REFINEMENTS AND ANALYSIS - LEC3 - A look at the skull and muscle structure
THE HEAD - YOUNG FEMALE HEAD
THE HEAD - FEMALE HEAD - LEC1 - BASE
THE HEAD - FEMALE HEAD - LEC2 - BASE
THE HEAD - FEMALE HEAD - LEC3 - BASE
THE HEAD - FEMALE HEAD - LEC4 - Primary Forms
THE HEAD - FEMALE HEAD - LEC5 - refining forms
THE HEAD - FEMALE HEAD - LEC6 - finishing the head for this stage
THE BODY - ANATOMY GUIDE AND REFERENCE
THE BODY - ANATOMY GUIDE AND REFERENCE - LEC1 - Introduction to this section
THE BODY - ANATOMY GUIDE AND REFERENCE - LEC2 - Setting up the 8 Cannon Guides
THE BODY - ANATOMY GUIDE AND REFERENCE - LEC3 - How the 8 cannoin sheet helps us
THE BODY - ANATOMY GUIDE AND REFERENCE - LEC4 - Main Bones in the Body
THE BODY - ANATOMY GUIDE AND REFERENCE - LEC5 - Major Landmarks
THE BODY - ANATOMY GUIDE AND REFERENCE - LEC6 - Main Muscles of the body
THE BODY - ANATOMY GUIDE AND REFERENCE - LEC7 - Final thoughts
THE BODY - GESTURE AND FORM A LOOK AT SHAPES AND DIFFERENCES
THE BODY - GESTURE AND FORM A LOOK AT SHAPES AND DIFFERENCE - Lec1 - The Gesture Curve
THE BODY - GESTURE AND FORM A LOOK AT SHAPES AND DIFFERENCE - Lec2 - Building a library
THE BODY - GESTURE AND FORM A LOOK AT SHAPES AND DIFFERENCE - Lec3 - Getting to know the sillowette
THE BODY - GESTURE AND FORM A LOOK AT SHAPES AND DIFFERENCE - Lec4 - Observe practive observe repeat and assignments
THE BODY - GESTURE AND FORM A LOOK AT SHAPES AND DIFFERENCE - Lec5 - Whats coming up
THE BODY - BASE MESH CREATION AND ANALYSIS
THE BODY - BASE MESH CREATION AND ANALYSIS - LEC 1 - Introduction to the section
THE BODY - BASE MESH CREATION AND ANALYSIS - LEC 2 - Dynamesh Base mesh method 1
THE BODY - BASE MESH CREATION AND ANALYSIS - LEC 3 - ZSpheres part 1
THE BODY - BASE MESH CREATION AND ANALYSIS - LEC 4 - ZSpheres Simple Dynamesh Basemesh
THE BODY - BASE MESH CREATION AND ANALYSIS - LEC 5 - Complex ZSphere base mesh
THE BODY - BASE MESH CREATION AND ANALYSIS - LEC 6 - Complex ZSphere base mesh part 2
THE BODY - BASE MESH CREATION AND ANALYSIS - LEC 7 - Other methods for base mesh creation
THE BODY - BASE MESHES MODULAR PRIMARY AND SECONDARY FORMS
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC1 - Introduction
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC2 - Modular Head Neck and Ribs - Primary Shapes
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC3 - Modular Trunk Hips and Thighs - Primary Shapes
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC4 - Modular Deltoids Upper arm and Lower arm - Primary Shapes
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC5 - Modular Calves Hands and Feet - Primary Shapes
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC6 - Modular Elbows Knees and Adjustments - Primary Shapes
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC7 - Checking Proportions against our Cannon Grid - Primary Shapes
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC8 - Using see through and slight adjustments
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC9 - Creating Modular Hands
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC10 - Secondary Forms - Clavicle Mastoid and Traps
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC11 - Secondary Forms - Marking the Primary form 1
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC12 - Secondary Forms - Marking the Primary form 2
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC13 - Secondary Forms - Marking the Primary form 3
THE BODY - MODULAR PRIMARY AND SECONDARY FORMS - LEC14 - Finishing our modular base mesh
ANATOMY CUSTOM BRUSHES AND GOOD TIPS
ANATOMY CUSTOM BRUSHES AND GOOD TIPS - LEC 1 - Introduction
ANATOMY CUSTOM BRUSHES AND GOOD TIPS - LEC 2 - Creating a clay build up valley brush
ANATOMY CUSTOM BRUSHES AND GOOD TIPS - LEC 3 - Smooth brush set ups
ANATOMY CUSTOM BRUSHES AND GOOD TIPS - LEC 4 - Pop up palette
ANATOMY CUSTOM BRUSHES AND GOOD TIPS - LEC5 - Gravity Brush
ANATOMY CUSTOM BRUSHES AND GOOD TIPS - LEC 6 - Slope Brush
THE BODY - THE TORSO - PART BREAKDOWN
THE BODY - THE TORSO - PART BREAKDOWN - LEC1 - Introduction and Downloads
THE BODY - THE TORSO - PART BREAKDOWN - LEC2 - Setup ready for the sculpt
THE BODY - THE TORSO - PART BREAKDOWN - LEC3 - Torso part 1
THE BODY - THE TORSO - PART BREAKDOWN - LEC4 - Torso part 2
THE BODY - THE TORSO - PART BREAKDOWN - LEC5 - Torso part 3
THE BODY - THE TORSO - PART BREAKDOWN - LEC6 - Torso part 4
THE BODY - THE TORSO - PART BREAKDOWN - LEC7 - Torso Synopsis
THE BODY - THE ARMS - PART BREAKDOWN
THE BODY - THE ARMS - PART BREAKDOWN - LEC 1 - Set Up
THE BODY - THE ARMS - PART BREAKDOWN - LEC 2 - Basic shape and muscle positions
THE BODY - THE ARMS - PART BREAKDOWN - LEC 3 - Refinements
THE BODY - THE ARMS - PART BREAKDOWN - LEC 4 - Refinement of the arms
THE BODY - THE ARMS - PART BREAKDOWN - LEC 5 - FInal refinements
THE BODY - THE LEGS - PART BREAKDOWN
THE BODY - THE LEGS - PART BREAKDOWN - LEC 1 - Base setup
THE BODY - THE LEGS - PART BREAKDOWN - LEC 2 - Non distructive smoothing
THE BODY - THE LEGS - PART BREAKDOWN - LEC 3 - Sculpting our legs
THE BODY - THE LEGS - PART BREAKDOWN - LEC 4 - Recap sculpt
THE BODY - THE LEGS - PART BREAKDOWN - LEC5 - FInishing the legs
THE BODY - THE HANDS - PART BREAKDOWN
THE BODY - THE HANDS - PART BREAKDOWN - LEC 1 - The Base
THE BODY - THE HANDS - PART BREAKDOWN - LEC 2 - Adding Fingers
THE BODY - THE HANDS - PART BREAKDOWN - LEC 3 - Building in the detail
THE BODY - THE HANDS - PART BREAKDOWN - LEC 4 - Anatomy of the hand
THE BODY - THE HANDS - PART BREAKDOWN - LEC 5 - Adding fingernails and refining
THE BODY - THE HANDS - PART BREAKDOWN - LEC 6 - FInishing and adding back to the breakdown model
THE BODY - THE HANDS - PART BREAKDOWN - LEC 7 - Posing the hands
THE BODY - THE FEET - PART BREAKDOWN
THE - BODY - THE FEET - LEC 1 - Introduction and preparation
THE - BODY - THE FEET - LEC 2 - Feet Base build up
THE - BODY - THE FEET - LEC 3 - Toes and Tendons
THE - BODY - THE FEET - LEC 4 - Finishing the feet and exercises
THE BODY - SCULPTING FROM THE MODULAR BASE MESH
THE BODY - SCULPTING FROM THE MODULAR BASE MESH - LEC 1 - Introduction
THE BODY - SCULPTING FROM THE MODULAR BASE MESH - LEC 2 - Lower half sculpting
THE BODY - SCULPTING FROM THE MODULAR BASE MESH - LEC 3 - Merging and polygroup masking
THE BODY - SCULPTING FROM THE MODULAR BASE MESH - LEC 4 - Abdominals and Breasts
THE BODY - SCULPTING FROM THE MODULAR BASE MESH - LEC 5 - Arms and Proportions
THE BODY - SCULPTING FROM THE MODULAR BASE MESH - LEC 6 - The Back
THE BODY - SCULPTING FROM THE MODULAR BASE MESH - LEC 7 - The Back finishing off
MADELEINE SPENCER TECHNIQUE - MALE BODY SCULPT FROM BASE MESH
MALE BODY SCULPT FROM BASE MESH - LEC 1 - Introduction
MALE BODY SCULPT FROM BASE MESH - LEC 2 - Setting the base forms for Rib, Buttocks and Legs
MALE BODY SCULPT FROM BASE MESH - LEC 3 - Setting the base forms for Obliques, latta and spine
MALE BODY SCULPT FROM BASE MESH - LEC 4 - Recap at speed
MALE BODY SCULPT FROM BASE MESH - LEC 5 - Setting the base forms for Collar bone, Pecs, Deltoid, Traps and Scapula
MALE BODY SCULPT FROM BASE MESH - LEC 6 - Setting the base forms for Biceps and Triceps
MALE BODY SCULPT FROM BASE MESH - LEC 7 - Setting the base forms Lower Arm
MALE BODY SCULPT FROM BASE MESH - LEC 8 - Setting the base forms Abdomials
MALE BODY SCULPT FROM BASE MESH - LEC 9 - Feet and Ab muscles
MALE BODY SCULPT FROM BASE MESH - LEC 10 - Adjustments
MALE BODY SCULPT FROM BASE MESH - LEC 11 - Accesing so far
MALE BODY SCULPT FROM BASE MESH - LEC 12 - Torso Front Sculpting muscles
MALE BODY SCULPT FROM BASE MESH - LEC 13 - Torso Front Sculpting muscles par t2
MALE BODY SCULPT FROM BASE MESH - LEC 14 - Torso Back
MALE BODY SCULPT FROM BASE MESH - LEC 14 - Torso Back
MALE BODY SCULPT FROM BASE MESH - LEC 15 - FInishing off and appending feet and hands
CUSTOM BRUSHES ADVANCED SECTION
CUSTOM BRUSHES ADVANCED - LEC 1 - Bellybutton VDM
CUSTOM BRUSHES ADVANCED - LEC 2 - Slicebrush
CUSTOM BRUSHES ADVANCED - LEC 3 - Dam-Slope brush
SCULPTING A FEMALE AND MALE - MY METHOD STAGE 1
FEMALE SCULPT - LEC 1 - Base Mesh
FEMALE SCULPT - LEC 2 - Base Mesh Markers and Male Base Mesh
FEMALE SCULPT - LEC 3 - Torso refinement 1
FEMALE SCULPT - LEC 4 - Torso refinement 2
FEMALE SCULPT - LEC 5 - Arms and Legs
FEMALE SCULPT - LEC 6 - Face 1
FEMALE SCULPT - LEC 7 - Face 2
FEMALE SCULPT - LEC 8 - Face and adding hands
FEMALE SCULPT - LEC 9 - Face and adjustments
FEMALE SCULPT - LEC 10 - Finishing stage 1 female
FEMALE SCULPT - LEC 11 - What we will be doing with the Female going Forwards
MALE SCULPT - LEC 12 - Setup and Introduction
MALE SCULPT - LEC 13 - Basic Forms 1
MALE SCULPT - LEC 14 - Rough Refinements 1
MALE SCULPT - LEC 15 - Rough Refinements 2
MALE SCULPT - LEC 16 - Feet and Hands
MALE SCULPT - LEC 17 - Adding the head and finishing off
REMESHING AND SUBDIV - FEMALE AND MALE - MY METHOD STAGE 2
REMESHING SUBDIV - FEMALE AND MALE - LEC 1 - Setup
REMESHING SUBDIV - FEMALE AND MALE - LEC 2 - ZRemeshing and Subdividing
REMESHING SUBDIV - FEMALE AND MALE - LEC 3 - Setting a Morph Target and Projections Female
REMESHING SUBDIV - FEMALE AND MALE - LEC 4 - Setting a Morph Target and Projections Male
REMESHING SUBDIV - FEMALE AND MALE - LEC 5 - Setting poly groups and looking at how it helps
REMESHING SUBDIV - FEMALE AND MALE - LEC 6 - ZRemesh with control male
REMESHING SUBDIV - FEMALE AND MALE - LEC 7 - ZRemesh with control female
REMESHING SUBDIV - FEMALE AND MALE - LEC 8 - Recap on the ZRemesh method
REMESHING SUBDIV - FEMALE AND MALE - LEC 9 - FInishing arms and legs and a quick synopsis
LIKENESS - HENRY CAVILLE - COMPLETE WORKFLOW IN PROGESS...
LIKENESS SCULPT - WITCHER - LEC 1 - Introduction to the Section
LIKENESS SCULPT - WITCHER - LEC 2 - The Sculpt timelapse 1
LIKENESS SCULPT - WITCHER - LEC 3 - The Sculpt timelapse 2
LIKENESS SCULPT - WITCHER - LEC 4 - Setting up for ZRemeshing
LIKENESS SCULPT - WITCHER - LEC 5 - ZRemeshing
LIKENESS SCULPT - WITCHER - LEC 6 - Setting up polygroups for subdiv model
LIKENESS SCULPT - WITCHER - LEC 7 - Adjusting timelapse
LIKENESS SCULPT - WITCHER - LEC 8 - Trying to get the likeness FAIL
CREATING ALPHAS AND BRUSHES FOR SKIN
CREATING ALPHAS FOR SKIN - LEC 1 - Gathering reference
CREATING ALPHAS FOR SKIN - LEC 2 - What we are going to do
CREATING ALPHAS FOR SKIN - LEC 3 - Skin Wrinkle 1 brush
CREATING ALPHAS FOR SKIN - LEC 4 - Skin Breakup 1
CREATING ALPHAS FOR SKIN - LEC 5 - Skin Wrinkle 2
CREATING ALPHAS FOR SKIN - LEC 6 - Skin Pores 1
CREATING ALPHAS FOR SKIN - LEC 7- Skin Pores 2
CREATING ALPHAS FOR SKIN - LEC 8 - Skin Wrinkle 3 Brush from Image
CREATING ALPHAS FOR SKIN - LEC 9 - Processing alphas efficiently
CREATING ALPHAS FOR SKIN - LEC 10 - Creating a multi Alpha Brush from the Alpha images
CREATING ALPHAS FOR SKIN - LEC 11 - Goose Bumps Creating a multi Alpha Brush start to finish
CREATING ALPHAS FOR SKIN - LEC 12 - Hand Alphas
CREATING ALPHAS FOR SKIN - LEC 13 - Fine Line Alphas
CREATING ALPHAS FOR SKIN - LEC 14 - Organising your files
CREATING ALPHAS FOR SKIN - LEC 15 - A look at other alpha and brush sites
CREATING ALPHAS FOR SKIN - LEC 16 - Another Skin and Pore brush
UNDERSTANDING DETAILING AND MAP GENERATION
UNDERSTANDING DETAILING AND MAP GENERATION - LEC 1 - Introduction
UNDERSTANDING DETAILING AND MAP GENERATION - LEC 2 - Maps and Uvs
UNDERSTANDING DETAILING AND MAP GENERATION - LEC 3 - HD Geometry what is it
UNDERSTANDING DETAILING AND MAP GENERATION - LEC 4 - A look at the exported maps
APPLYING WRINKLES AND FACE DETAILS
APPLYING WRINKLES AND FACE DETAILS - LEC 1 - Introduction the importance of reference
APPLYING WRINKLES AND FACE DETAILS - LEC 2 - Understanding UV mapping and why we do it
APPLYING WRINKLES AND FACE DETAILS - LEC 3 - Layer Control and using a Morph Target Dermal Abrasion
APPLYING WRINKLES AND FACE DETAILS - LEC 4 - Pores goose bumps and lips
APPLYING WRINKLES AND FACE DETAILS - LEC 5 - Set up for your wrinkle brushes
APPLYING WRINKLES AND FACE DETAILS - LEC 6 - Face wrinkles part 1
APPLYING WRINKLES AND FACE DETAILS - LEC 7 - Face wrinkles part 2
APPLYING WRINKLES AND FACE DETAILS - LEC 8 - Baking and Synopsis
SCULPTING HAIR IN ZBRUSH
SCULPTING HAIR WITH ZBRUSH - LEC 1 - Introduction and analysis
SCULPTING HAIR WITH ZBRUSH - LEC 2 - Different base meshes for hair
SCULPTING HAIR WITH ZBRUSH - LEC 3 - Low resolution styling
SCULPTING HAIR WITH ZBRUSH - LEC 4 - Mid resolution pass
SCULPTING HAIR WITH ZBRUSH - LEC 5 - Mid resolution pass - time lapse
SCULPTING HAIR WITH ZBRUSH - LEC 6 - Finishing the second stage hair and do the eyebrows
SCULPTING HAIR WITH ZBRUSH - LEC 7 - Adding a beard
SCULPTING HAIR WITH ZBRUSH - LEC 8 - Thought and alphas for Beard and Stubble
SCULPTING HAIR WITH ZBRUSH - LEC 9 - Finishing the main hair
SCULPTING HAIR WITH ZBRUSH - LEC 10 - Remeshing and recap
SCULPTING HAIR WITH ZBRUSH - LEC 11 - Flyaways and pro and cons of dynamesh
SCULPTING HAIR WITH ZBRUSH - LEC 12 - Hpolishing for a superman style
SCULPTING HAIR WITH ZBRUSH - LEC 13 - Creating a hair strip
SCULPTING HAIR WITH ZBRUSH - LEC 14 - Manga brush style
SCULPTING HAIR WITH ZBRUSH - LEC 15 - Female reference and tricks getting ready
SCULPTING HAIR WITH ZBRUSH - LEC 16 - Establishing the base
SCULPTING HAIR WITH ZBRUSH - LEC 17 - Remeshing
SCULPTING HAIR WITH ZBRUSH - LEC 18 - Detailing
SCULPTING HAIR WITH ZBRUSH - LEC 19 - Finishing and remesh
SCULPTING HAIR WITH ZBRUSH - LEC 20 - Using the manga brush and techniques
SCULPTING HAIR WITH ZBRUSH - LEC 21 - Eyebrows with manga brush
SCULPTING HAIR WITH ZBRUSH - LEC 22 - Creating eye lashes
SCULPTING HAIR WITH ZBRUSH - LEC 23 - Finishing off
HAIR WITH FIBREMESH IN ZBRUSH
FIBRE MESH HAIR IN ZBRUSH - LEC 1 - Introduction to Fibre Mesh
FIBRE MESH HAIR IN ZBRUSH - LEC 2 - Setting up the basic set up for fibres by hand
FIBRE MESH HAIR IN ZBRUSH - LEC 3 - Modifying setting part 1
FIBRE MESH HAIR IN ZBRUSH - LEC 4 - Modifying setting part 2
FIBRE MESH HAIR IN ZBRUSH - LEC 5 - Grooming Brushes
FIBRE MESH HAIR IN ZBRUSH - LEC 6 - The benefit of Poly Groups
FIBRE MESH HAIR IN ZBRUSH - LEC 7 - Eyebrows
FIBRE MESH HAIR IN ZBRUSH - LEC 8 - Doing the beard
FIBRE MESH HAIR IN ZBRUSH - LEC 9 - Eye Lashes
FIBRE MESH HAIR IN ZBRUSH - LEC 10 - Creating a pop up menu for fibremesh hair
FIBRE MESH HAIR IN ZBRUSH - LEC 11 - Understanding fibres and render time
FIBRE MESH HAIR IN ZBRUSH - LEC 12 - The Hair part 1
FIBRE MESH HAIR IN ZBRUSH - LEC 13 - The Hair part 2
FIBRE MESH HAIR IN ZBRUSH - LEC 14 - Warnings about Fibre Mesh
FIBRE MESH HAIR IN ZBRUSH - LEC 15 - Finishing the male hairstyle and final remarks
FIBRE MESH HAIR IN ZBRUSH - LEC 16 - Female set up hair
FIBRE MESH HAIR IN ZBRUSH - LEC 17 - Female Hair Finishing
FIBRE MESH HAIR IN ZBRUSH - LEC 18 - Eyelashes and eye brows
COMPLETE FIGURE MALE
LECTURE 1 - COMPLETE FIGURE MALE - Introduction
LECTURE 2 - COMPLETE FIGURE MALE - Getting Started
LECTURE 3 - COMPLETE FIGURE MALE - Base part 1
LECTURE 4 - COMPLETE FIGURE MALE - Base part 2
LECTURE 5 - COMPLETE FIGURE MALE - Base part 3
LECTURE 6 - COMPLETE FIGURE MALE - Adding form
LECTURE 7 - COMPLETE FIGURE MALE - Remeshing our base
LECTURE 8 - COMPLETE FIGURE MALE - Face part 1
LECTURE 9 - COMPLETE FIGURE MALE - Face part 2
LECTURE 10 - COMPLETE FIGURE MALE - Combining and refinement part 1
IN PRODUCTION!!
COMPLETE FIGURE FEMALE
TBA
WORKSHOP - VAMPIRE GIRL
WORKSHOP - Introduction - The Vampire Girl
WORKSHOP - lecture 1 - The Vampire Girl
WORKSHOP - lecture 2 - The Vampire Girl
WORKSHOP - lecture 3 - The Vampire Girl
WORKSHOP - lecture 4 - The Vampire Girl
WORKSHOP - lecture 5 - The Vampire Girl
WORKSHOP - lecture 6 - The Vampire Girl
WORKSHOP - lecture 7 - The Vampire Girl
WORKSHOP - lecture 8 - The Vampire Girl
WORKSHOP - lecture 9 - The Vampire Girl
WORKSHOP - lecture 10 - The Vampire Girl
STUDENTS CRITIQUE AND ANALYSIS AS WELL AS HELP VIDEOS
THE HEAD - THE BASICS - Drake Student Facial and Problems with proportions
THE EAR - THE BASICS - Student Gabor critique of the Ear
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